Soldier Still

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Soldier Still

I saw the reverent hands unfold the cloth,
the medals laid with old memories to rest,
blanketed in a white shroud,
serving to muffle the scraping sounds,
like April’s soil absorbed the impact of screeching mortars.

The pride in the aged serge cloth,
snug fitted belonging to a younger man,
witness to the pain at Qana,
where Jesus turned water to wine and artillery turned all to death & dust,
the familiar hug of peaker cap about the brow,
historical brass centred on the head,
burrowing into the mind with patriotic dreams.

Those gentle hands that hold a son, fighter like his father,
the mounted crests on arms that shield a family,
and a voice that roared no more,
spat upon with infamy,
as cowards strike with calumny.

Soldier still, with hands that have both shook & struck,
fighting for all sisters & brothers of sacred oath,
plastic keys replacing plastic rifle,
barbed comment replacing barbed wire,
from Bekaa to Finglas the defiance is simmering,
like a bayonet,
shining.

Those honest hands that put words upon the page,
have erred yet have not lied,
nor have they shyed away,
steadfast day after day,
urging all to engage, no wasted energy on rage,
the naked truth cannot hide,

Bare,

Alone,

Centre stage,

a volunteer remains bent unto their duty,
a soldier still fights for right,
for life.

Note:

The soldier featured in the video below and in the work above is Dr Tom Clonan a retired army officer, author and security expert.

Soldier Still is about violence. A new dance theatre work that blends movement, text, music, real stories and real people, creating a harrowing tale of beauty and brutality. A cast of Irish and international dancers and former soldiers collaborate with an exceptional creative team to explore the viciousness, the vulnerability and the trauma of violence. Previous Artists-in-Residence at Tate Britain, award-winning Junk Ensemble have built a reputation in Ireland as dance innovators. 

“Junk Ensemble has created some of the most impressive contemporary dance in Ireland … Enthralling and exact.” The Sunday Times

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